ON THE SIDELINES OF THE DAYS

JONAS DELHAYE

In his personal exhibition, On the sidelines of the days, Jonas Delhaye is interested in the notion of “reserve”, especially from the disappearance or fragmentation of the image paradoxically associated with the process of revelation. Jonas Delhaye develops performative devices, a kind of pinhole shelters, that record and capture images and the world. “A sensitive body that captures light (…) in a long measure. That of scientists. Or poets.” According to Léa Chauvel-Lévy.